Guitar assembly is the stage at which all the individual parts are brought together to become a complete instrument. Historically, there are two main methods of assembling a guitar: the Spanish method and the French method.

In the French method, the body and the neck are built separately, and the neck is attached to the body at the end. This is a delicate operation, as it requires achieving the perfect neck angle. The advantage of this method is that it provides full access around the body, making it easier to install binding.

In the Spanish method, the neck is joined to the soundboard first in order to establish the guitar's central axis. The assembly is then fixed onto a workboard called a solera. This method is more traditional and straightforward, and it ensures a perfect neck-to-body angle — this angle becomes fixed once the back is glued on.

Humidity and tension

Two aspects are essential for building a successful instrument, and they are closely related.

First, all gluing operations must be carried out in a controlled humidity environment — typically around 40–50% relative humidity. This allows the wood to shrink safely in dry conditions without cracking. All wood used must be properly dried and stabilised, usually after several years of seasoning. The older the wood, the less it reacts to changes in humidity.

Second, it is crucial to avoid introducing tension into the instrument. Each part must be perfectly fitted and glued without force. When there is no internal stress, all components are free to vibrate.

If the soundboard bracing is glued at 60% humidity, the back bracing at 40%, and the final assembly at 50%, each part will react differently to humidity changes — creating internal stress that restricts the instrument's ability to vibrate freely.

For this reason, from the moment I glue the soundboard bracing until the back is attached, I carefully maintain a consistent humidity level using a humidifier during the dry heating season and a dehumidifier during more humid periods. I also plan my work so the guitar can be assembled as efficiently as possible.

Step by step

Step 1

All guitar components laid out ready for assembly
Once all the guitar components are ready, assembly begins.

Step 2

Soundboard joined to the neck to establish the central axis
The first step is to establish the central axis by joining the soundboard to the neck. The excess from the soundboard is trimmed to achieve the correct distance between the fretboard and the soundhole.

Step 3

Detail of fretboard distance from soundhole
This distance may vary depending on the design — for example, 19 frets, or a split 19th fret.

Step 4

Gluing the neck to the soundboard with a straightedge
Using a one-metre straightedge, the neck is glued to the soundboard.

Step 5

Refining the curvature of the sides on a bending iron
Bent wood tends to return to its original shape. Before the final fitting of the sides, their curvature is refined using a bending iron.

Step 6

Fitting and marking the first side on the assembly board
The sides are installed one by one onto the assembly board, precisely positioned, marked, and cut to the required length.

Step 7

Gluing and clamping the first side in place
The edge of the first side is glued and fixed in place using clamps.

Step 8

Second side glued in position
The second side is glued in the same way. Being attached to the soundboard prevents movement when the lining blocks are glued.

Step 9

Cedar end block shaped to match the guitar outline
The joint between the two sides is reinforced with a cedar block shaped to match the guitar outline. Using a washer and the mould, the shape is transferred and refined with a plane.

Step 10

End block glued in place with correct angle for the top dome
The block is glued in place. The face toward the soundboard must be shaped with an open angle to match the dome of the top.

Step 11

Linings adjusted to match the dome angle
The same adjustment is made for the linings, which will be cut into individual blocks in the next step.

Step 12

Cutting lining blocks one by one in a mitre box
A simple mitre box is used to cut the blocks one by one.

Step 13

Small pointed tool used to handle lining blocks during gluing
A small pointed tool is used to handle the blocks during gluing.

Step 14

Lining blocks pressed into place with the pointed tool
The blocks are installed and pressed into place. A few seconds are enough, as hot hide glue sets very quickly — a thicker glue works best for this step.

Step 15

Each lining block carefully fitted without force
Each piece must be fitted carefully and glued without excessive force.

Step 16

Top braces anchored to the sides with small blocks
The top braces are anchored to the sides with small blocks.

Step 17

Linings glued in place after shaping the sides with a plane
After shaping the sides with a small plane, the linings are glued in place. Like the individual blocks, they reinforce the joint between the sides and the back, and provide material for installing the binding.

Step 18

Binder clips used to glue the linings, with mirror to check joints
Binder clips conform well to the shape, and the metal helps transfer heat to keep the glue warm. The quality of the glue joints is checked using a mirror.

Step 19

Back braces shaped on radius dishes covered with sandpaper
To create the correct curvature on the back bracing, radius dishes covered with sandpaper are used. The washer technique marks the curve; then a plane and sandpaper finish the work.

Step 20

Back braces glued with hot glue and clamped with a go-bar deck
The braces are glued using hot glue and clamped with a go-bar deck.

Step 21

Radius dish used to shape the brace surface that contacts the back
The same radius dish is used to shape the surface of each brace that will contact the back.

Step 22

Inside view of the guitar body — bracing complete, ready for the back
The process is complete when wood dust appears evenly along the entire perimeter.

Step 23

Back positioned along the central axis, brace positions marked with a knife
Fitting the back begins by positioning it along the central axis. A weight prevents movement while the brace positions are marked with a knife.

Step 24

Back ready to be glued after all adjustments
Once all adjustments are complete, the back is ready to be glued. The same humidity conditions must be maintained as during the earlier stages of bracing and assembly.

Step 25

Gluing the back — final step of the assembly
The final step. Gluing the back gives full rigidity to the structure, which until now has remained quite flexible.